University of Heidelberg

Brosius, Christiane 2010a. India's Middle Class. New Forms of Urban Leisure, Consumption and Prosperity.  London: Routledge (South Asia, Urban Studies Series, edited by Sujata Patel).

Brosius, Christiane (ed. with Ute Hüsken) 2010b. Ritual Matters - Dynamic Dimensions in Practice

Brosius, Christiane 2008b. “Parading Violence: The Politics of Spectacle in a Hindu Nationalist Procession”. In Jörg Gengnagel, Monika Horstmann, Gerald Schwedler (eds). Prozessionen, Wallfahrten, Aufmärsche: Bewegung zwischen Religion und Politik in Europa und Asien seit dem Mittelalter. Band 4 der Reihe Menschen und Kulturen der Saeculum-Beihefte. Böhlau: Köln, Weimar: 312-335.

Brosius, Christiane 2007a. With Nicolas Yazgi. “Is There No Place Like Home? Contesting Cinematographic Constructions of Indian Diasporic Experiences”. In Contributions to Indian Sociology 41 (3): 353–84 (peer-reviewed).

Brosius, Christiane 2007b. “The Unwanted Offering. Ubiquity and Success of Failure in Hindu Right Rituals” In Hüsken, Ute (Hg.) When Rituals go Wrong: Mistakes, Failure, and the Dynamics of Ritual. Leiden: Brill: 291-324 (peer-reviewed).

Brosius, Christiane 2007c. “’Indien scheint’: Neu Delhi als Weltklasse-Stadt”. [India Shining. New Delhi as World-Class City]. Archplus 186 (Indian Island-Urbanism in India): 66-69.

 

Bublatzky, Cathrine 2008. M.A. Thesis: „Kulturen im Blick(wechsel). Ein interkulturelles Fotoprojekt aus ethnologischer Sicht“ [Cultures in changing foci. An intercultural photographic project from an anthropological perspective].

12/2008. Christiane Brosius, Barbara Mittler, Sumathi Ramaswamy and Thomas Maissen, supported by  Matthias Arnold, Cathrine Bublatzky, Eric Decker, Sebastian Gehrig and Michael Mohr „Archiving Mothers and Fathers of the Nation in Europe and Asia. Developing a Digitized Prototype of Braided Pictorial Histories“, Online Exhibition (restricted access) of the HRA 2 Pilot Project, Cluster of Excellence 'Asia and Europe in a Global Context', University of Heidelberg.

 

Gerritsen, Roos 2008. “Photo Essay: Some Notes on Cine-addictions: Image Trails Running from the intimate Sphere to the Public Eye.” In South Asian Visual Culture Series 2. [http://archiv.ub.uni-heidelberg.de/savifadok]

Gerritsen, Roos 2006. “Tamil Wedding Souvenirs of Predictive Love: Future Memories in South India.” In Etnofoor 19 (2): 5-22.

 

Henriot, Christian 2009 forthcoming. "'Invisible Deaths, Silent Deaths'. 'Bodies Without Masters' in Republican Shanghai", Journal of Social History 43.

Henriot, Christian 2009. “The Colonial Space of Death in Shanghai (1844-1949)” In Bryna Goodman and David S. Goodman (eds.), Twentieth-Century Colonialism and China: Localities, the Everyday, and the World, London: Routledge.

Henriot, Christian 2007. “Scythe and Sojourning in Wartime Shanghai”, Karunungan - A Journal of Philosophy 27: 117-148.

 

Jain, Kajri 2007. Gods in the Bazaar: The Economies of Indian Calender Art. Durham: Duke University Press.

Jain, Kajri 2008. “Archive, repertoire or warehouse? Producers of Indian popular images as stakeholders in a virtual database” In South Asian Visual Culture Series 3.

Jain, Kajri 2007. “The Efficacious Image: Pictures and Power in Indian Mass Culture” In Richard H. Davis (ed.), Picturing the Nation: Iconographies of Modern India, New Delhi : Orient Longman, (an earlier version of this appeared in Polygraph 12: World Religions and Media Cultures, 2000:159-185).

 

Juneja, Monica 2009. ‘Architectural memory between representation and practice. Rethinking Pierre Nora’s Les lieux de mémoire’, In Indra Sengupta-Frey (ed.) Revisiting Sites of Memory. New Perspectives on the British Empire, Bulletin of the German Historical Institute, London: 11-36.

Juneja, Monica (ed. with Barbara Potthast) 2008 a. ‘theme issue: Text und Bild in den Berichten über außereuropäische Welten‘, In Zeitenblicke.

Juneja, Monica 2008 b. ‚Das Visuelle in Sprache übersetzen? Der wissenschaftliche Diskurs und die Polyvalenz indischer Bilder‘, In Zeitenblicke.

Juneja, Monica 2008 c. ‚Braided Histories? Visuelle Praktiken des indischen Mogulreichs zwischen Mimesis und Alterität‘, In Historische Anthropologie 16 (2): 187-204.

 

Kato, Tetsuhiro 2007. "YASHIRO Yukio and the Sentimentality of Japanese Art," In Proceedings. 17th International Congress of Aesthetics 2007 “Aesthetics Bridging Cultures”. (http://www.sanart.org.tr/PDFler/58.pdf)

 

Leonhardt, Nic forthcoming a. Encountering Urban Imaginaries: Media, Mobility and Control in Public Spheres.

Leonhardt, Nic (ed. with Eva Zhang) forthcoming b. 'The Way I See It': Transcultural Perspectives on Image, Gaze and Perception.

Leonhardt, Nic (eds. with Martin Gieselmann and Olga Iljassova ) forthcoming The Transcultural Studies Reader: Theories, Terms, Applications. (working title)

Leonhardt, Nic 2009. "Theater und Visuelle Kultur. Modi ihrer Relation aus historischer Perspektive", In Kati Röttger, Alexander Jackob (eds.): Theater und Bild. Inszenierungen des Sehens. Bielefeld: transcript.

Leonhardt, Nic 2007. Piktoral-Dramaturgie. Visuelle Kultur und Theater im 19. Jahrhundert [Pictorial Dramaturgy. Theatre and Visual Culture in 19th Century Germany (1869-1899)]. Bielefeld: transcript.

Leonhardt, Nic 2007. With Ralf Adelmann / Andreas Fahr / Ines Katenhusen /  Dimitri Liebsch (eds.) Visual Culture Revisited. German and American Perspectives on Visual Culture(s). Köln: Herbert von Halem.

Leonhardt, Nic 2007. "Pictorial (Hi)stories - Illustrated Coverage of the Franco-Prussian War 1870/71".
In Leonhardt et al (ed.) Visual Culture Revisited. German and American Perspectives on Visual Culture(s)
Köln: Herbert von Halem.

 

Maissen, Thomas forthcoming (2010). The Virgin and Her State: Representing the Body Politic Through Metaphors of Marital Status.

Maissen, Thomas  2008. “Inventing the Sovereign Republic. Imperial Structures, French Challenges, Dutch Models, and the Early Modern Swiss Confederation”, In André Holenstein, Thomas Maissen, Maarten Prak (eds.), The Republican Alternative. The Netherlands and Switzerland compared. Amsterdam: 125-150.

Maissen, Thomas 2007. „Die Stadtpatrone Felix und Regula. Das Fortleben einer Thebäerlegende im reformierten Zürich“ In Bauer, Dieter und Gabriela Signori (eds.). Patriotische Heilige. Beiträge zur Konstruktion religiöser und politischer Identitäten in der Vormoderne. Stuttgart: Steiner: 211-228.

 

Mittler, Barbara forthcoming a. A Continuous Revolution: Making Sense of Cultural Revolution Culture.

Mittler, Barbara forthcoming b.  Portrait of a Trope: New Women and New Men in Chinese Women’s Magazines, 1898-2008.

Mittler, Barbara (ed. with Madeleine Herren) forthcoming c. Hidden Grammars of Transculturality.

Mittler, Barbara 2009 (Under submission for publication in Chinese). “The Many Faces of Chairman Mao: The Art of Repetition in Revolutionary China.” Academia Sinica Series.

Mittler, Barbara 2008a. (ed. with Sebastian Gehrig und Felix Wemheuer) Kulturrevolution als Vorbild: Maoismen im deutschsprachigen Raum. Wien.

Mittler, Barbara 2008b. “’Von verrückten alten Männern, die Berge versetzen wollten’. Die Überzeugungskraft der Worte Maos.” In A. Chaniotis, A. Kropp, C. Steinhoff (eds.) Überzeugungsstrategien, Heidelberger Jahrbücher 52, Heidelberg: Springer Verlag:  38-60.

Mittler, Barbara 2008c. “Kulturrevolution als Propaganda? Der lange Marsch des Maoismus in China” In Sebastian Gehrig, Barbara Mittler and Felix Wemheuer (eds.), Kulturrevolution als Vorbild: Maoismen im deutschsprachigen Raum. Wien: 203-219.

Mittler, Barbara 2008d. “Der Osten ist rot: China und die Suche nach Glück” In Beate Hentschel, Gisela Staupe (eds.) Glück – welches Glück? München: Carl Hanser Verlag: 133-149.

Mittler, Barbara 2008e. (with Christiane Brosius, Sumathi Ramaswamy and Thomas Maissen, supported by Michael Mohr, Sebastian Gehrig, Cathrine Bublatzky,  Eric Decker and Matthias Arnold) „Archiving Mothers and Fathers of the Nation“, website (restricted access).

Mittler, Barbara 2007a. “In Spite of Gentility: (New) Women and (New) Men in Linglong, a 1930s Women’s Magazine”, In Daria Berg and Chloe Starr (eds.) The Quest for Gentility in China. Negotiations beyond Gender and Class, London: Routledge: 208-234.

Mittler, Barbara 2007b. “Gendered Advertising in China. What History do Images  tell?”, In European Journal of Chinese Studies 6.1: 13-41.

 

Ramaswamy, Sumathi Forthcoming 2009. The Goddess and the Nation: Mapping Mother India. Durham, Duke University Press.

Ramaswamy, Sumathi 2008. When a language becomes a mother/goddess: An image essay on Tamil. http://tasveerghar.net/stamil/index.html

Ramaswamy, Sumathi 2009. "The Mahatma as Muse: An Image Essay on Gandhi in Popular Indian Visual Imagination" In Gayatri Sinha (ed.), Art and Visual Culture in India 1857-2007. Marg Publications: 236-249.

Ramaswamy, Sumathi 2008. "Of Gods and globes: The territorialisation of Hindu deities in Indian popular visual culture" In Jyotindra Jain (ed.), India’s Popular Culture: Iconic Spaces and Fluid Images. Marg, Mumbai: 19-31.

 

Schwartz, Vanessa 2007. It’s So French! Hollywood, Paris and the Making of Cosmopolitan Film Culture, Chicago and London: University of Chicago Press.

Schwartz, Vanessa 2007. "Massenpresse und Spektakel: Das Pariser Leichenschauhaus im Fin de Siècle" In Werner Michael Schwarz, Magarethe Szeless and Lisa Wögenstein (eds.) Ganz Unten. Die Entdeckung des Elends Vienna: Ganz Unten: 53-59.

 

Singh, Kavita 2008. Where in the World: Indian Art in the Era of Globalization. Editor, lead essay and catalogue entries. Devi Art Foundation: Gurgaon, India.

Singh, Kavita Submitted. ‘What’s New in Pata Painting?’ for Anna Dallapiccolla (ed.) Indian Painting: the Lesser Known Traditions.

Singh, Kavita Submitted. ‘Transfixed by the arrow of time: Phad paintings of Rajasthan,’ for Anna Dallapiccolla (ed.)  Indian Painting: the Lesser Known Traditions.

Singh, Kavita Submitted. ‘Six Degrees of Separation: Chaos and Convergence in South Asia,’ for Pooja Sood (ed.) Six Degrees of Separation,  Khoj Artists Workshop Publications.

Singh, Kavita 2009. ‘Material Fantasy: The Museum in Colonial India’ In Gayatri Sinha (ed.) India: Art and Visual Culture, 1857-2007, Marg Publications and Bodhi Art Gallery: Mumbai.

Singh, Kavita 2008. ‘Art History and Democracy: Keynote Address’ In South African Art History in an African Context, University of Witwatersrand: Johannesburg, South Africa.

Singh, Kavita 2008. ‘Fantasies of History in Indian Painting,’ In Hadeeth, Bulletin of the Kuwait National Museum.

Singh, Kavita 2008. ‘Are we ready for the Freer Circulation of Artifacts?’ In The Art Newspaper, London.

Singh, Kavita 2007 (with Saloni Mathur). ‘Reincarnations of the Museum: The Museum in an Age of Religious Revivalism,’ In Vishakha Desai (ed.) Asian Art History in the 21st Century, Yale University Press.

Singh, Kavita 2007. ‘Fixed Image in a Changing World: The Phad Paintings of Rajasthan’ In Joanna Williams (ed.) The Kingdom of the Sun: Indian Court and Village Art from the Princely State of Mewar, Asian Art Museum, San Francisco.

 

Trede, Melanie forthcoming a. Interventions in the Political Iconography of Pictorial Narratives (working title).

Trede, Melanie (ed.) forthcoming b. Rethinking Gender, Sexuality and the Body in a Transcultural World,

in 3 vols:              

1. Representations of Sexualities
2. The Religious Body
3. Gender and Body in the Contemporary Arts

Trede, Melanie 2007. (with Lorenz Bichler) Hiroshige. One Hundred Famous Views of Edo, Cologne, New York: Taschen.

Trede, Melanie. Forthcoming 2009/2010. "Kunstausstellungen als ästhetische und politische Inszenierung: Tokyo in Berlin, Berlin in Tokyo", Schriftenreihe der Staatlichen Museen zu Berlin.

Trede, Melanie. Forthcoming 2009.

メ ディアの働き──八幡縁起の伝承が絵に描かれ、物質化されて、どう機能してきたか

 “What’s in a medium? Multiple Visualities, Materialities and Functions of the Legend ‘The Karmic Origins of Hachiman’,” Bungaku 9.

 Trede, Melanie 2008. “Banknote Design as a Battlefield of Gender Politics and National Representation in Meiji Japan”, In Doris Croissant, Catherine Vance Yeh, and Joshua Mostow (eds.), Performing “Nation”: Gender Politics in Literature, Theater, and the Visual Arts of China and Japan, 1880—1940, Leiden: Brill: 55-104.
http://www.brill.nl/default.aspx?partid=210&pid=30941

Trede, Melanie 2007. "Edo: Images of a city between visual poetry and idealized reality / Edo: Bilder einer Stadt zwischen visueller Poesie und idealisierter Wirklichkeit / Images d’une ville entre poésie visuelle et réalité idéale”, In Trede and Bichler (eds.) Ando Hiroshige. One Hundred Famous Views of Edo, Cologne, New York: Taschen: 7-27.

 

Zamperini, Paola Forthcoming. Lost Bodies. Prostitution and Masculinity in latre Qing Fiction. E. J. Brill: Leiden.

 

 

Planned Joint Publications:

Barbara Mittler & Sumathi Ramaswamy: "Fathers of the Nation in the Age of the World picture: Gandhi, Mao and the Efficacy of the Political Image"

Brosius, Christiane, Barbara Mittler & Paola Zamperini: "Romantic Love and Equality in China and India in the 21st century".