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Feng He, M.A.

Doktoranden

Feng He, M.A.

Position

  • Ph.D. Candidate, GPTS-7

Kontaktinformationen

Karl Jaspers Centre for Advanced Transcultural Studies
Voßstraße 2, Building 4400
Room 021
69115 Heidelberg
Germany

Email:
feng.he@hcts.uni-heidelberg.de

Über Feng He

HE Feng (何峰) is Ph.D. Candidate in the Institute of East Asian Art History at Heidelberg University, and associate member of the Heidelberg Centre for Transcultural Studies. His dissertation project, provisionally titled The Dragoon Vases: Chinese Porcelain, Monumentality, and Transcultural Antiquarianism, 1700–1933, explores the transcultural biography of eighteen porcelain vases designated as the "Dragonervasen" in the former Saxon royal collection. Before coming to Heidelberg, Feng served as Assistant Curator at the Museum of Shanghai University.

Academia.edu page

Research Interests

East Asian art and material culture; history of display and collecting; transcultural histories of ceramics; antiquarianism in Chinese and German contexts; history of photography; painting and art patronage in late imperial China; object biography and material agency.

Lebenslauf

Since 09/2016, Ph.D. Candidate, Institute of East Asian Art History, Heidelberg University. Supervisors: Prof. Dr. Sarah E. Fraser and Prof. Dr. Monica Juneja

2015–2018, Postgraduate certificate, Graduate Programme for Transcultural Studies, Cluster of Excellence "Asia and Europe in a Global Context," Heidelberg University.

2013–2014, Assistant Curator, Museum of Shanghai University, China. 

2010–2013, M.A., Department of Art History, Shanghai University, China. 

2006–2010, B.A., Department of Art Theory, Southeast University, China. 

Ausgewählte Publikationen

Articles

(Forthcoming) “Theatricality and Trans-Media Motif of Early Qing Narrative Porcelain.” In Women Cross Media: East Asian Photography, Prints and Porcelain from the Dresden State Art Collection, edited by Sarah E. Fraser, Mio Wakita, and Lianming Wang. Heidelberg: arthistoricum.net. (Open Access)

“Ming Dramas as Sources for the Dancing Scene on Coromandel Lacquer Screens and Kangxi Porcelains.” Oriental Ceramic Society Newsletter 26 (May 2018): 3–6.

“Embodied Beauty: Feminising Chinese Ceramics in Eighteenth-Century China and Europe.” In Wechselblicke: Zwischen China und Europa 1669–1907, edited by Matthias Weiß, Eva-Maria Troelenberg and Joachim Brand, 98–114. Berlin and Petersberg: Staatliche Museen zu Berlin and Michael Imhof Verlag, 2017.​

“The Global Lives of a Female Dancer: Transcultural Identities of a Chinese Painting Motif.” Aziatische Kunst 47, no.2 (2017): 5–12.

He, Feng and LIANG Shixin. “德语国家艺术史研究动态 (2010–2015) [History of Art in German Speaking Countries (2010–2015)].” 艺术学界 [Arts Study] 16, no.2 (2016):166–192.

“文交所如何走出困境: 艺术品金融化新解和艺术市场三级体系的建立 [A Solution to the Dilemma of Cultural Property Exchange: Financialization of Artwork and Triangle System of Art Market].” 艺术市场 [Art Market] 08 (2012): 38–41.

Editing

TAO Feiya, GUO Ji, LI Xinzhi, and HE Feng, eds. 上海大学博物馆艺术邀请展作品集 [Catalogue for the invitational art exhibition at the Museum of Shanghai University]. Shanghai University Press, 2014. 

Catalogue entries

He, Feng and Sarah E. Fraser. Entries 14, 26, and 34. In Dresden · Europa · Welt, edited by Jan Hüsgen and Romy Kraut. Staatliche Kunstsammlungen Dresden, 2017. 

Selected Conference Presentations

The Dragoon Vases and the Locality of Global Monuments. The 11th International Convention of Asia Scholars (ICAS 11). Organizer of two panels "Global Localities of Chinese Ceramics" I and II. Leiden University, 16–19/07/2019. 

The Dragoon Vases and Monumentality at the Global Turn of Ceramic Studies. College Art Association (CAA) 107th Annual Conference. New York City, 13–16/02/2019.

From Theatrical to Monumental: Social Spaces and Porcelain Display in Eighteenth-Century Dresden. Reframing Chinese Objects: Collecting and Displaying Practices in Europe and the Islamic World, ca. 1400–1800. Heidelberg University, 07–08/12/2018.

The Erotic Teapots: The Female Body and the Materiality of Chinese Ceramics in High Qing Literati Writings. Representing Sex: A Transcultural Conversation. Heidelberg University, 30/11–01/12/2018.

Reflexive Surfaces and Monumental Engagement: East Asian Porcelain in the Reshaping of European Antiquarianism. Engaging China: Perspectives from the Margins. University of Oxford, 10–11/01/2018. The 27th Annual Columbia Graduate Student Conference on East Asia. Columbia University, 23–24/02/2018.

Trans-Media Display and Everyday Encounter: The Transcultural Agency of a Chinese Painting Motif. The Second Conference of the European Association for Asian Art and Archaeology (EAAA). University of Zurich, 24–27/08/2017.

The Global Lives of a Female Dancer: Transcultural and Trans-Media Appropriation of a Chinese Motif. VVAK (Asian Art Society in the Netherlands) Symposium, Rijksmuseum Amsterdam, 26/11/2016. The Tenth International Convention of Asia Scholars (ICAS 10). Chiang Mai, 20–23/07/2017.

Gazing at Earthly Paradise: Private Theatre, Garden and Female Representation on Early Qing Narrative Porcelain. Cross-Media Porcelain Symposium, Heidelberg University, 31 March–1 April 2016. 5. Forum Ostasiatische Kunstgeschichte, University of Bonn, 27–28/05/2016.

Workshops and Summer School Participation

The University of Chicago/Getty Dissertation Workshop in Chinese Art History. Chicago, 20/08–01/09/2018.

European Association for Chinese Studies (EACS) Summer School. Hidden in Plain Sight: Materiality, Meaning and Accessibility of Chinese Objects in Local Collections. University of Wales Trinity Saint David, Lampeter. 04–08/09/2017.

中央研究院歷史語言研究所第二十六屆歷史研習營“世界史視野中的匯流: 思想、文化、人群、工藝與制度” [The 26th History Workshop, Institute of History and Philology, Academia Sinica, Taipei]. 20–23/01/2017.

Joint Graduate Student Workshop, Cluster of Excellence Asia and Europe at Heidelberg University, and URPP Asia and Europe at Zurich University. Heidelberg. 27–28/10/2016.

Curating

Assistant Curator. Jewel on the Crown: Polish Poster Art Exhibition. Museum of Shanghai University. December 16–29, 2014.

Assistant Curator. Invitational Art Exhibition of Shanghai University Museum. Xuhui Art Museum, Shanghai. May 15–28, 2014.

Assistant Curator. Poetic Jiangnan—Landscape Oil Paintings by Prof. Shen Xing-gong. Shanghai Degas Art Space. December 3–30, 2011.

Service to the Field

(2018) Academic committee member, Transcultural Studies Student Conference, Heidelberg University.

(2013–2014) Editorial board member. 博物馆新科技 [Museum and New Technology], journal published by the Museum of Shanghai University.

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